1989-1997 OOP

1989-1997 OOPI started taking photographs as a teenager, nearly twenty five years ago. Since then my work has been an ongoing meditation around desire, loss, and the role of photography as a vehicle for remembrance. My pictures often function as metaphors for the way the mind works: simultaneously collecting images while letting others go, fading in the way memories fade, and alluding to the fact that, historically, photographs have faded as well. Bill Jacobson

Italian politics

towing its seemingly paradoxical strict docu-aesthetic line: he never crops his photographs

Americans in Kodachrome 1945–1965 is a portrayal of daily life during these formative years of modern American culture

84 four-color plates

Nick Sethi

february 2003

I could easily have been taken for one of them

In time they allowed me to witness their fear

loss and grief — biblical in its scope

This collection of photographs by Steven Arnold continues his elaborately theatrical imagery populated by angels

His fictional identities are depicted in equally fabricated scenarios that are replete with references to both the art historical tradition and Freudian sexuality

march 2010