Original Painting | Holding On | Crossing: 3.1 | 100 x 100 cm Framing Option:White Oak Floating Framed (+3cm) (5.5cm depth) I was not painting a

I was not painting a place — I was painting the feeling of everything I trusted starting to wobble

Bold impasto technique and striking blue-green palette create atmospheric depth that shifts throughout the day

Every tree leans toward something the seated body already knows but cannot name

not as understanding but as a direct

The battle settles into understanding that impermanence creates the very conditions that make anything worth loving

Original Painting | Holding On | Crossing: 3.1 | 100 x 100 cm Framing Option:White Oak Floating Framed (+3cm) (5.5cm depth) I was not painting aTitle: Holding On Paradox: Holding everything in, calling it strength The Story I painted a sky that was too big for the land beneath it. The white masses gathered in the foreground like everything I was carrying but could not put down. I called it strength. I called it independence. I called it being fine. The painting knows what I did not that holding on is not the same as being strong. The Crossing Crossing 3. 1 Resistance via Holding Holding the